Renewable Energy Research Paper Example | Topics and Well Written Essays - 1000 words - 1

Renewable Energy - Research Paper Example This has led to establishment of measures to switch to renewable energy sources like wind and photovoltaic electricity. These renewable sources are clean and also maintainable considering that they do not emit gases or toxic that can pollute the environment. Some sources like wind are plentiful, easily affordable, require less maintenance and cannot get exhausted. These renewable sources can be established in rural areas and therefore this encourages establishment of industries in those areas. Wind energy convertors have a strong inbuilt framework that enable them to convert the free moving air which has kinetic energy to rotational movement whereby then it can make the generator to start working-mechanical energy (David, 2009). This is through the friction of the rotating wind and the wind turbine blades. However, before any electricity is generated there are stages that are involved. The first stage is the stage of revolution. In this stage, the blades are made with certain dimensions to help harness as much free moving air as possible. They should be able to rotate easily and should have a considerable length of about forty meters. They should also be placed in certain degrees depending on the direction of the wind. The blades are able to rotate because of the two main forces that are involved. The first one is the drag force which is horizontal to the wind direction and the lift force which is vertical to the direction of wind (David, 2009). These forces depend on the shape of the rotating blades and the angle in which the wind meets the blade. Either of these blades can be used to propel the blade. It is important to note most of the Wind Energy Converts depend mainly on the lift force. All this is illustrated in the diagrams below. The blades rotate on a rotor which is connected to the shaft. The rotor then makes the generator to convert the waves to electricity. This stage is referred to as the mechanical stage. The wind turbine should be

History week6 questions Essay Example | Topics and Well Written Essays - 1000 words

History week6 questions - Essay Example The New World conquest yielded new lands, riches and slave labor which set-off an imperialistic hunger that spread to Africa. It was closer, larger and the natives from that continent were preferred as slaves over the natives of the Americas. The Europeans quickly claimed jurisdiction over most regions of Africa and Turkey as well. The British conquered India and did modernize its economy but it was to their own benefit. Although this trend was interrupted by the shake-ups of the 1700s and 1800s industrial, social and political revolutions, European nations readopted the strategy moving into the 20th century, introducing enough civil unrest to trigger the world’s first World War. By the early 19th century, the New World wealth had been well plundered and it was widely feared that the slaves emanating from there could spread new diseases in Europe or contract European diseases and die themselves. Africa was an attractive target to quench the Europeans’ new thirst to create far-away empires and control territories that held the raw materials needed to maintain and grow their prosperous economies which were built upon imperialistic tactics. New territories also meant the opportunity to trade with new markets. By the mid 19th century, the conquest for Africa was well underway. Gaining and controlling new territories outside the original country was justified by many explanations. A certain amount of national pride fueled the desire for an expansionist agenda. Obtaining new colonies was widely viewed as a gauge of a nation’s global prominence. Another justification was based on the prevalent racist attitude. â€Å"Europeans thought that they were b etter than Africans† (McDougal-Littell, 1999). Church officials and missionaries encouraged imperialism because the natives of conquered territories could be more easily coerced to convert to Christianity. The British East India Company owned vast tracts of land and was the

Oral Hygiene during Placement Simulation

Oral Hygiene during Placement Simulation In this essay, I will be reflecting on the importance of oral hygiene and my experience of giving and receiving oral hygiene care whilst on placement simulation. In conclusion, I will identify my own personal development in undertaking and completing this skill and achieving it. The care of a patients mouth forms an important component of assisting hygiene needs and yet is an aspect of practice which is not always afforded the attention it fully deserves. It is also a role which too often delegated to health care assistants. Research shows that, in the United States, nosocomial pneumonia ranks second in morbidity and first in mortality among nosocomial infections. The treatment of nosocomial pneumonia adds 5 to 7 days to the hospital stay of surviving patients and billions of dollars to healthcare costs. REFLECTION There are different models of reflection one of which is Gibbs (1988). Reflection is the process of reviewing an experience in order to describe, analyses, evaluate and so inform learning about practice (Reid1993). I will use this reflection model in guiding me because it has helped focusing on different aspects of an experience, and exploiting their full potential for learning will be more appreciated. Reflection in professional practice, however, gives back not what it is, but what might be, an improvement on the original (Moon 1999). Description As part of placement simulation, I was part of a group introduced to oral hygiene care. It is one of the core requirements in maintaining the hygiene needs of a patient. When we were told to bring in a towel and tooth brush, I was taken aback as to what was the need for them? I went to the multi-skills laboratory not knowing what will befall me. My lecturer introduced us to a range of chemicals for oral hygiene. I had used some before but on this occasion, there was one I had not tried and used before. I was assigned a colleague to have the opportunity of experiencing the giving and receiving of oral hygiene by cleaning his teeth with toothbrush and pepsodent and vice versa.We performed as instructed. Feelings Upon commencement of activity, my views of healthy oral care were not very clear to me. Generally I perceived cleaning your teeth as being much like washing a face. I felt very embarrassed and inadequate and consequently, felt very uncomfortable as I have not done this to anyone outside of my family. On his part, it was obvious from his reaction that he had no confidence in me, thinking I was going to brush his teeth hard. It highlighted the complex problems I have to solve in practice and the provision of care needs to patients for whom I may not have had contact with before. I thought my pride and dignity had been taken away from me but later felt comfortable having understood what it was generally. Critical Analysis Helping patients/service users to meet their hygiene needs is a fundamental component of nursing care. Again, helping patients to meet their personal hygiene needs provides any nurse with an ideal opportunity to undertake a thorough physical, emotional and cognitive assessment of the patient. Although it seemed difficult at the beginning, by the time we performed on each other for the third time with encouragement we had developed a good working relationship. Encouraging students to acknowledge their intuitive capacity helps them to appreciate their strengths and weaknesses (SWOT). Jasper (2003) regards SWOT analysis as getting to know yourself. The understanding of our skills and abilities and the awareness of where our limits lie is seen as crucial to being able to act as a professional practitioner. After identifying and analyzing of my own strengths, weaknesses, opportunities and threats, I showed no more discomfort and shown more interest in the activity as our lecturer continued talked us through. Jackson and Mannix (2001) note that amount of interest the nurse shows in the learning needs of the student and the key role he or she plays in their achievement are essential to the students development. It is strange that sometimes you do things or know what things are without ever really stopping and analysing it. Most students and many professionals note that learning acquired from placement experience is much more meaningful and relevant than that acquired in the lecture room (Quinn 2000). Boud et al 1985 argue: it is common for reflection to be treated as if it were an intellectual exercise a simple matter of thinking rigorously. However, reflection is not solely a cognitive process; emotions are central to all learning. Conclusion Caring for a patient requires a relationship and empathy. By developing collaborative relationship with patients, I can provide prompt and focused interventions which can limit illness. Action Plan My aim is to be proactive in the future by promptly opening up. I aim to develop the skill of emotional resilience to be able to deliver and receive any care. Conclusion Like many others on the group, I thought that students were there through choice, they wanted to learn. As a result of this I expected the group to be mature and behaved. Due to my lack of experience in care and the job title of student nurse, I perceived that most sessions would run in a lecture format. This was probably a very naive move on my part, however following my first two sessions, I realised that if I was to be a successful student nurse, I had to adapt my approach. I needed to focus more upon my involvement and participation, getting the group involved in sessions would help to improve my learning process. However as I develop my nursing skills and also my ability to reflect, I have begun to realise that the process of reflection is more complex than Gibbs (1988) suggests. Whilst Gibbs highlights key areas of the process, I feel that reflection is not as cyclical as this model implies. As my reflective skills develop, I am finding myself jumping some stages of the cycle, revisiting others and in some instances digressing in different directions. I feel that this represents my views of reflection as I have a start point (the experience) and an end point (the outcomes/actions), but how I get there is down to my trail of thought. Whilst at this stage of my development I would not class myself as a successful, I believe I am working to develop the skills required to be successful.

Authorial Opinion Of Wife Of Bath Essay -- essays research papers

The character of the Wife of Bath is clearly feminist. She indicates this by her extreme ideas of female â€Å"maistrye† and statements such as â€Å"I have the power duringe al my lyf upon his proper body, and nought he,† which is extremely feminist. However, Chaucer makes us see the Wife of Bath as inconsistent, at times illogical, and also amoral and adulterous, The prologue and tale is spoken by a woman of supposed vast experience, yet was written by a man. While the prologue and tale may be seemingly feminist, could it be a vehicle for a deeper anti-feminist message? The Wife of Bath had a strong argument in favour of marriage but is easy to fault. Her argument that marriage grows more virgins, while correct makes us wonder why she bore no children. And she also mentions the fact that â€Å"in wyfhood I wol use myn instrument† but her marriage did not seem to have stopped her from restraining her â€Å"Chamber of Venus from a good felawe.† The Wife of Bath confuses bigamy with remarriage and manipulates the arguments for remarriage to suit her purpose. Chaucer gives the Wife of Bath’s arguments less credibility The wife of bath strongly argued in favour of female â€Å"maistrye.† She argued this in the prologue and used the tale to bring the message home. Her arguments are weakened however by the destructive and careless behaviour of the Wife of Bath. She openly laughs at them (â€Å"I laugh whan I thinke†) when she thinks of how she made her husbands toil at night. She doesn’t seem to regret the...

Lady Macbeth and Lady Macduff Essay

Shakespeare cleverly creates sorrow for Lady Macbeth and Lady Macduff through various techniques such as order of their scenes, their company on stage and most importantly by their circumstances. In the case of Lady Macbeth we know her from the start of the play while in the case of Lady Macduff we are introduced to her with no prior knowledge only in Act 4 scene 2. Moreover with the use of dramatic irony Shakespeare lets the audience know certain events about to happen which naturally influence the emotions of viewers. Even though we feel sorrow for both the ladies there is a considerable difference in the range and type of sorrow. The basic similarity in their situation is that they cannot be helped. Shakespeare uses the basic human tendencies such as the urge to help the helpless, who in this case are both the Ladies, to amplify the feelings of sorrow and pity. We see lady Macduff first time in act 4 scene 2 talking with her cousin Ross a high ranking nobleman. She is angry with her husband for fleeing the land without them as can be inferred from lines 8-16. She feels that he has left them in mortal danger. Thus we know that the overriding emotion she experiences is fear. The fact that he ran away without any obvious reason scares her more. The audience already knows through Macbeths words- the castle of Macduff I will surprise..,give to the edge of sword his wifes, his babes, and all unfortunate souls that trace him in his line (act4 sc1 171-174) that he is going to massacre Lady Macduff and her children. We come to know a lot about this woman through the company of people that Shakespeare places with her. First of all we have Ross who clearly as her cousin does her the honor of visiting her and comforting her. His replies to all of her questions are short and terse. They do not give any new information but do the task of soothing her fee lings. His words in lines 25-30 I take my leave of youTo what they were before.-My pretty cousin, Blessing upon you indicate that she is a woman of honor and he does not wish to stain that honor by staying longer with her considering that she is alone. Next we have her conversation with her son which reveals that she is aware that it is not her sons fault that his father has fled and that she will not blame him for Macduffs mistakes. Lady Macduffs jokes with her son are based on reality, yet are pleasing and tell of a loving relationship between her and her son. Moreover by using the weakest group of people that  is woman and children Shakespeare creates an added feeling of sorrow. The entry of the messenger increases the tension and heightens emotions as it is right after a jolly and normal dialogue. His words are the harbinger of evil acts and they warn lady Macduff and advise her to run swiftly to safety. The very fact that the messenger is willing to put his life in jeopardy in order to try to save her life is testimony to her character. Specifically his lines 76-78 To fright you thusis too nigh your person. tell us that he not telling her this cruel truth would be more evil than telling it to her as she was a person of high stature in his eyes. Her response Whither should I fly? I have done no harm. But I remember now I am in this earthly.Do I put that womanly defense To say that I have done no harm? (Lines 81-87) to the warning shows political awareness and wisdom. At this point she knows that she is about to die and there is nothing anyone can do about it. Her end also tells the audience that she is a loyal wife for in lines 90-91 she says I hope in no place so unsanctified where such as thou mayst find him. . Her son dies so as to give his mother time to run and save herself. Thus Shakespeare creates the ultimate concept of Good vs Evil but instead of allowing good to triumph he lets evil rule. Lady Macduffs death is that of an scared, confused, loyal, loving, honorable, wise and defenseless woman dying a savage death for no reason whatsoever. On the other hand we have Lady Macbeth with whom the audience has been acquainted for a long time. Till act 5 sc 1 we have always seen Lady Macbeth as an forceful, ruthless and intelligent woman who has no remorse. In this act we see her through the eyes of a doctor and an gentlewoman. It is obvious that she is ill for a long time. Her company is not an jolly one, they are a doctor and a gentlewoman who after hearing and seeing her state of mind pity and feel sorrow for her. The gentlewoman has seen her in this state before whereas the doctor who sees her for the first time is clearly shocked. All her torments and troubles are within her mentally which is why no doctor can cure her. The words spoken by lady Macbeth speak of such darkness and blood that the doctor and the gentlewoman dare not repeat them to anyone else. All of her words in lines 37-42 refer to her past murders and crimes except for the sentence Hell is murky. Her diction and sentence structure is terse and tense. It is almost as if she reporting all her  deeds. It is very different from the loud convincing diction of the lady Macbeth we see in previous acts of the play. Even though she talks of her crimes, she never even once confesses or accepts her crimes. She is also scared and fears the blood spots on her hands will never be cleaned (lines 53-55). She is also extremely afraid of the darkness which is why she has commanded that she always have light beside her. She fears her past actions and that she always pushed Macbeth when he hesitated in murdering. Macbeth had not confided in her about the murder of lady Macduff which suggests that Macbeths taste for murder has outgrown hers. These fears are shown symbolically through her fear of darkness which compares with evil and her fear of dirty and bloody hands which compares with guilt. What is however heartbreaking and is the greatest factor in creating sorrow for her is that her suffering cannot end. She is locked in a circle of pain and only she can break out of it, no one can help her. The only way out of this circle would be by asking for forgiveness, by redeeming herself in the eyes of god. But to show remorse one needs to be sane and sadly as seen from her sleepwalking and other unnatural acts she is clearly mentally ill. Her pain is never-ending and everlasting. She is bound for hell and she cannot escape it. There are several similarities and contrasts between the two woman and the sorrow we feel for them. I personally felt more sorrow for Lady Macbeth than Lady Macduff since the suffering of Lady Macduff was short and painful while Lady Macbeth is never ending and painful. Lady Macduff suffered externally though physical pain while lady Macbeth suffered mentally. In case of Lady Macduff she was innocent and the suffering was brought upon her by Macbeth while in case of Lady Macbeth she herself had brought his suffering upon themselves. Lady Macbeth had a grim past and faces a grim future while Lady Macduff had a loving past and faces a heavenly future. Even though everyone wanted to help Lady Macduff they could not, similarly even though the doctor and gentlewoman wanted to help Lady Macbeth they could not. When death came Lady Macduff faced it by growing stronger but Lady Macbeth grew weaker. The diction of Lady Macduff drew out fear while Lady Macbeths diction imbibed it. Both the woman undergo intense emotional suffering before they die. Both of them are helpless and isolated. Though people would like to help them they cannot. Both of their husbands are not with them. Macduff went to  England thinking that his wife and children would be safe while Macbeth has probably grown so addicted to murder that he has forgotten his wifes suffering. As an audience the impact of these two sorry tragedies is huge and they come right after each other thus amplifying the impact. By playing upon natural human tendencies, cleverly placing the right characters and creating a sense of helplessness for both women Shakespeare leaves the audience with deep sorrow. Shakespeare also cleverly places brief interludes between intense scenes to increase the overall effect. The emotions depicted are intense and break the hearts of the audience. The death of Lady Macduff is unwarranted while the death of lady Macbeth is too painful and horrific. The main ideas that Shakespeare uses are that we empathise with the weak and helpless, we want to see good triumph evil and that no one wants to give anyone everlasting suffering without a ray of hope. He uses these instinctive human feelings to create sorrow for Lady Macduff and Lady Macbeth.

A Dirty Job Chapter 27

27 BITCH'S BREW Lily had been looking all night for a way to approach Minty Fresh. She'd made eye contact with him a dozen times over the course of the evening, and smiled, but with the atmosphere of dread that fell over the room she was having trouble thinking of an opening line. Finally, when an Oprah movie of the week came on the television and everyone gathered around to watch the media diva beat Paul Winfield to death with a steam iron, Minty went to the breakfast bar and started flipping through his day planner, and Lily made her move. â€Å"So, checking your appointments?† she said. â€Å"You must be feeling optimistic about how things will go.† He shook his head. â€Å"Not really.† Lily was smitten. He was beautiful and morose – like a great brown man-gift from the gods. â€Å"How bad can it be?† Lily said, pulling the appointment book out of his hand and flipping through the pages. She stopped on today's date. â€Å"Why is Asher's name in here?† she asked. Minty hung his head. â€Å"He said you've known all about us for a while.† â€Å"Yeah, but – † She looked at the name again and the realization of what she was seeing was like a punch in the chest. â€Å"This is that book? This is your date book for that?† Minty nodded slowly, not looking at her. â€Å"When did this name show up?† Lily asked. â€Å"It wasn't there an hour ago.† â€Å"Well, fucksocks,† she said, sitting down on the bar stool next to the big man. â€Å"Yeah,† said Minty Fresh. He put his arm around her shoulders. With Charlie pulling on the legs of the bobcat guy (who was doing some impressive screaming considering he had prototype vocal cords) and the squirrel people dog-piling onto the Boston terrier, they were eventually able to extricate their lieutenant from the jaws of the bug-eyed fury with only a few snags in his Beefeater's costume. â€Å"Down, Bummer,† Charlie said. â€Å"Just chill.† He didn't know if chill was an official dog command, but it should be. Bummer snorted and backed away from the surrounding crowd of squirrel people. â€Å"Not one of us,† said the bobcat guy, pointing at Bummer. â€Å"Not one of us.† â€Å"You shut up,† Charlie said. He pulled a beef jerky from his pocket that he'd brought for emergency rations, tore off a hunk, and held it out to Bummer. â€Å"Come on, buddy. I told the Emperor I'd look out for you.† Bummer trotted over to Charlie and took the beef jerky from him, then turned to face down the squirrel people as he chewed. The squirrel people made clicking noises and brandished their weapons. â€Å"Not one of us. Not one of us,† chanted Bob. â€Å"Stop that,† Charlie said. â€Å"You can't get a mob chant going, Bob, you're the only one with a voice box.† â€Å"Oh yeah.† Bob let his chanting trail off. â€Å"Well, he's not one of us,† he added in his defense. â€Å"He is now,† Charlie said. To Bummer he said, â€Å"Can you lead us to the Underworld?† Bummer looked up at Charlie as if he knew exactly what was being asked of him, but if he was going to find the strength to carry on, he was going to need the other half of that beef jerky. Charlie gave it to him and Bummer immediately jumped up to a higher, four-foot pipe, stopped, barked, then took off down the pipe. â€Å"Follow him,† Charlie said. After an hour following Bummer through the sewers, the pipes gave way to tunnels that got bigger as they moved along. Soon they were moving in caves, with high ceilings and stalactites in the ceiling that glowed in various colors, illuminating their way with a dull, shadowy light. Charlie had read enough about the geology of the area to know that these caves were not natural to the city. He guessed that they were somewhere under the financial district, which was mostly built on Gold Rush landfill, so there would be nothing as old-looking or as solid as these caves. Bummer kept on, leading them down one fork or another without the slightest hesitation, until suddenly the cave opened up into a massive grotto. The chamber was so large that it simply swallowed up Charlie's flashlight and headlamp beams, but the ceiling, which was several hundred feet high, was lined with the luminous stalactites that reflected red, green, and purple in a mirror-smooth black lake. In the middle of the lake, probably two hundred yards away, stood a great black sailing ship – tall-masted like a Spanish galleon – red, pulsating light coming from the cabin windows in the rear, a single lantern lighting the deck. Charlie had heard that whole ships had been buried in the debris during the Gold Rush, but they wouldn't have been left preserved like this. Things had changed, these caves were all the result of the Underworld rising – and he realized that this was just a hint of what was going to happen to the City if the Underworlders took over. Bummer barked and the sharp report echoed around the grotto, sending a cloud of bats into the air. Charlie saw movement on the deck of the ship, the blue-black outline of a woman, and he knew that Bummer had led them to the right place. Charlie handed his flashlight to Bob and set his sword-cane on the cave floor. He drew the Desert Eagle from the shoulder holster, checked that there was a round in the chamber, cocked the hammer, then reset the safety and reholstered the pistol. â€Å"We're going to need a boat,† Charlie said to Bob. â€Å"See if you guys can find something we can make a raft from.† The bobcat guy started down the shore with Charlie's flashlight, scanning the rocks for useful flotsam. Bummer growled, tossed his head like he had ear mites or perhaps to indicate that he thought Charlie was insane, and ran out into the lake. Fifty yards away he was still only in water up to his shoulder. Charlie looked at the black ship and realized that it was sitting way, way too high out of the water – that, in fact, it was sitting with its hull on the bottom in only about six inches of water. â€Å"Uh, Bob,† Charlie said. â€Å"Forget the boat. We're walking. Everyone quiet.† He unsheathed his sword and sloshed onward. As they approached the ship they could make out details in its construction. The railings were fashioned from leg bones lashed together, the mooring cleats were human pelvises. The lantern on the deck was, in fact, a human skull. Charlie wasn't exactly sure how his powers as Luminatus were going to manifest themselves, but as they reached the hull of the ship he found himself very much wishing it would happen soon, and that levitation would be one of the powers. â€Å"We're fucked,† said Bob, looking up at the black hull curving above them. â€Å"We're not fucked,† Charlie said. â€Å"We just need someone to climb up there and throw us a rope.† There was some milling around amid the squirrel people, then a lone figure stepped out of the little crowd – this one appeared to be a nineteenth-century French dandy with the head of a monitor lizard. His outfit – the ruffles and the coat – actually reminded Charlie of pictures that Lily had shown him of Charles Baudelaire. â€Å"You can do it?† Charlie asked the lizard guy. He held out his hands and lifted one foot out of the water. Squirrel paws. Charlie lifted the lizard guy as high as he could up to the hull, and the little creature caught ahold in the black wood, then scurried up the side of the ship and over the gunwale. Minutes passed, and Charlie found himself listening hard for some hint as to what was going on above. When the thick rope splashed down next to him, he leapt two feet in the air and barely contained blasting out a full-blown man-scream. â€Å"Nice,† said Bob. â€Å"You first, then,† Charlie said, testing the rope to see if it would hold his weight. He waited until the bobcat guy was about three feet over his head before he tucked the sword-cane down inside the Lexan plate strapped over his back and started the climb himself. By the time he was three-quarters of the way up the rope, he felt as if his biceps were going to pop like water balloons and he entwined his motocross boot into the rope to rest. As if being granted a second wind by the gods, his biceps relaxed and when he resumed climbing he felt as if he might really be gaining his power as the Luminatus. When he reached the railing, he grabbed one of the bone mooring cleats and swung himself up until he sat straddling the rail. He swung around and his headlamp caught the black shine in her eyes. She was holding the bobcat guy like an ear of corn, her claw driven through his skull, pinning his jaw shut. There was flesh and goo glowing dull red, running down her face and over her breasts as she tore another bite out of the Beefeater. â€Å"Want some, lover?† she said. â€Å"Tastes like ham.† At the breakfast bar in Charlie's apartment, Lily said, â€Å"Shouldn't we tell them?† â€Å"They don't all know about us. About this.† Minty held the date book. â€Å"Just Audrey.† â€Å"Then shouldn't we tell her?† Minty looked at Audrey, who was sitting on the couch entwined in a sleepy pile with Charlie's sister and one of the hellhounds, looking very content. â€Å"No, I don't think that would serve any purpose right now.† â€Å"He's a good guy,† Lily said. She snatched a paper towel off the roll on the counter and dabbed her eyes before her mascara went raccoon on her again. â€Å"I know,† Minty said. â€Å"He's my friend.† As he said it, he felt a tug on his pant leg. He looked down to where Sophie was staring up at him. â€Å"Hey, do you have a car?† she asked. â€Å"Yes, I do, Sophie.† â€Å"Can we go for a ride?† Without any hesitation, Charlie whipped the sword-cane out of his back and snapped it down on the Morrigan's wrist. She lost her grip on the bobcat guy, who bolted, screaming, across the deck and over the opposite railing. The Morrigan grabbed the sword-cane and tried to wrench it from Charlie's grasp. He let her – pulled the sword free, then drove it into her solar plexus so hard that his fist connected with her ribs and the blade came out her back, sinking into the wooden hull of the lifeboat she was reclining against. For a split second his face was an inch from hers. â€Å"Miss me?† she asked. He rolled away just as she slashed at him. He got his forearm up just in time to deflect the blow away from his face, the thick Lexan plate on his forearm stopping the claws from taking off his hand. She lunged for him, but the sword kept her pinned to the boat. Charlie ran down the deck away from her as she screeched in anger. He saw light coming from a door that must have led to the cabin at the aft of the ship – that same red glow – and he realized that it had to be coming from the soul vessels. Rachel's soul could still be in there. He was only a step from the hatch when the giant raven dropped in front of him and spread her wings out across the deck, as if trying to block the whole end of the ship. He backpedaled and drew the Desert Eagle from the shoulder holster. He tried to hold it steady as he clicked off the safety. The Raven snapped at him and he leapt back. The beak then pulled back, changed, bubbled into the face of a woman – but the wings and talons remained in bird form. â€Å"New Meat,† said Macha. â€Å"How brave of you to come here.† Charlie pulled the trigger. Flame shot a foot out of the barrel and he felt as if someone had hit him in the palm with a hammer. He thought he had aimed right between her eyes, but the bullet had ripped through her neck, taking half of the black flesh with it. Her head lolled to the side and the raven body flailed its wings at him. Charlie fell backward onto the deck, but pulled the pistol up and fired again as the raven was coming down on him. This one caught her in the center of the chest and sent her flying backward, up onto the cabin roof. The ringing in his ears felt like someone had driven tuning forks into his head and hit them with drumsticks – a long, painful, high-pitched wail. He barely heard the shriek from his left as another Morrigan dropped out of the rigging behind him. He rolled to the railing and brought the gun up just as she slashed at his face. The gun and his forearm pad absorbed most of the blow, but the Desert Eagle was knocked from his grasp and slid down the deck. Charlie did a somersault to his feet and ran after the gun. Nemain flicked her claws at his back and he heard the sizzle as the poison strafed the Lexan pad down his spine and burned onto the deck on either side of him. He dove for the pistol and tried to roll and come up with it pointed at his attacker, but he misjudged and came up with the back of his knees against the bone railing. She leapt, claws first, and hit him in the chest just as he fired the Desert Eagle and he was driven backward over the railing. He hit flat on the water. The air exploded from his body and he felt like he'd been hit by a bus. He couldn't breathe, but he could see, he could feel his limbs, and after a couple of seconds of gasping, he finally caught a breath. â€Å"So, how's it going so far?† asked the bobcat guy, about two feet from Charlie's head. â€Å"Good,† Charlie said. â€Å"They're running scared.† There was a big chunk bitten out of the middle of Bob's torso, and his Beefeater uniform was in tatters, but otherwise he seemed in good spirits. He was holding the Desert Eagle cradled in his arms like a baby. â€Å"You'll likely need this. That last shot connected, by the way. You took off about half of her skull.† â€Å"Good,† Charlie said, still having a little trouble catching his breath. He felt a searing pain in his chest and thought he might have broken a rib. He sat up and looked at his chest plate. The Morrigan's claws had raked the front of it, but in one spot he could see where a claw had slipped under the plate and into his chest. He wasn't bleeding badly, but he was bleeding, and it hurt like hell. â€Å"Are they still coming?† â€Å"Not the two you shot. We don't know where the one you stuck with your sword went.† â€Å"I don't know if I can make it up that rope again,† Charlie said. â€Å"That may not be a _roblem,† Bob said. He was looking up to the ceiling of the grotto, where a whirlwind of squeaking bats was spiraling around the mast, but above them was beating the wings of another creature altogether. Charlie took the pistol from Bob and climbed to his feet, nearly fell, then steadied himself and backed away from the hull of the ship. The squirrel people scattered around him. Bummer let loose with a fusillade of angry yapping. The demon hit the water about thirty feet away. Charlie felt a scream rising in his throat but fought it down. The thing was nearly ten feet tall, with a wingspan of thirty feet. Its head was as big as a beer keg, and it appeared to have the shape and horns of a bull, except for the jaws, which were predatory, lined with teeth, like a cross between a shark and a lion. Its eyes were gleaming green. â€Å"Soul stealer,† it growled. It folded its wings into two high points behind its back, and stepped toward Charlie. â€Å"Well, that would be you, wouldn't it?† Charlie said, a little breathless still. â€Å"I'm the Luminatus.† The demon stopped. Charlie took the hesitation to bring up the pistol and fire. The shot took the demon high in the shoulder and spun him to the side. He turned back and roared. Charlie could smell the creature's breath, like rotting meat, wash over him. He backed up and fired again, his hand numb now from the recoil of the big pistol. The shot knocked the demon back a step. There was shrill cheering from above. Charlie fired again and again. The slugs opened craters in the demon's chest. He wavered, then fell to his knees. Charlie aimed and pulled the trigger again. The gun clicked. Charlie backed up a few more steps and tried to remember what Minty had shown him about reloading. He managed to hit a button that released the clip from the pistol, which plopped into the water. Then he unsnapped one of the pouches under his arm to retrieve an extra clip. It slipped out and fell into the lake as well. Bob and a couple of the squirrel people splashed forward and started diving beneath the water, looking for the clip. The demon roared again, unfurled his wings, and, in one great flap, pulled himself to his feet. Charlie unsnapped the second clip and, with his hands shaking, managed to fit it into the bottom of the Desert Eagle. The demon crouched, as if to leap. Charlie jacked a shell into the chamber and fired at the same time. The demon fell forward as the huge slug took a chunk out of his thigh. â€Å"Well done, Meat!† came a female voice from above. Charlie looked up quickly, but then back to the bullheaded demon, who was on his feet again. Then he braced his wrist and fired, and again, walking forward, pumping bullets into the demon's chest with each step, feeling any second as if his wrist would just shatter into pieces from the recoil, until the hammer clicked on an empty chamber. He stopped, just five feet away from the demon when it fell over, facefirst into the water. Charlie dropped the Desert Eagle and fell to his knees. The grotto seemed to be tilting before him, his vision tunneling down. The Morrigan landed on three sides of him. Each had a glowing soul vessel in her claw and was rubbing it on her wounds. â€Å"That was excellent, lover,† said the raven woman standing closest to the fallen demon. Charlie recognized her from the alley. The stab wound his sword had made in her stomach healed over as he watched. She kicked the bullheaded demon's body. â€Å"See, I told you that guns suck.† â€Å"That was well done, Meat,† said the one to Charlie's right. Her neck was still knitting back together. She was the one he'd blasted up onto the cabin roof. â€Å"You guys do bounce back with a certain Wile E. Coyote charm,† Charlie said. He grinned, feeling drunk now, like he was watching all this from another place. â€Å"He's so sweet,† said the hand-job harpy. â€Å"I could just eat him up.† â€Å"Sounds good to me,† said the Morrigan to his left, whose head was still a little lopsided. Charlie saw the venom dripping from her claws, then looked to the wound below his chest plate. â€Å"Yes, darling,† said hand job, â€Å"I'm afraid Nemain did nick you. You really are quite the warrior to have lasted this long.† â€Å"I'm the Luminatus,† Charlie said. The Morrigan laughed, the one in front of Charlie did a little dance step. As she did, the bullheaded demon lifted his head from the water. â€Å"I'm the Luminatus,† said the demon, black goo and water running between his teeth as he spoke. The Morrigan stopped dancing, grabbed one of the demon's horns, then pulled his head back. â€Å"You think?† she said. Then she plunged her claws into the demon's throat. He rolled and threw her off, sending her sailing twenty feet in the air to smash into the hull of the ship. The Morrigan behind Charlie patted his head as she passed. â€Å"We'll be right with you, darling. I'm Macha, by the way, and we are the Luminatus – or we will be in a minute.† The Morrigan fell on the bullheaded demon, taking great chunks of flesh and bone off his body with each slash of their talons. Two took to the air and swept in, taking swipes at the demon, who flailed at them, sometimes connecting, but too weakened from the gunshots to fight effectively. In two minutes it was finished, and most of the flesh had been flayed from it. Macha held his head by the horns like she was holding the handlebars of a motorcycle, even as the demon's jaws continued to snap at the air. â€Å"Your turn, soul stealer,† Macha said. â€Å"Yeah, your turn,† said Nemain, baring her claws. Macha held the demon head out in front of her, driving it at Charlie. He backed away as the teeth snapped inches from his face. â€Å"Wait a minute,† said Babd. The other two stopped and turned to their sister, who stood over what was left of the demon's corpse. â€Å"We never got to finish.† She took one step before something hit her like a ball of darkness, knocking her out of sight. Charlie looked at the demon head coming at him, then there was a loud smack and Macha was yanked to the side as if she'd had a bungee cord attached to her ankle. The screeching started again and Charlie could see the Morrigan being whipped around in the darkness, splashing, and chaos – he couldn't follow what was happening. His eyes wouldn't focus. He looked to Nemain, who was now coming at him with her claws dripping venom. A small hand appeared at the edge of his vision and the Morrigan's head exploded into what looked like a thousand stars. Charlie looked to where the hand had appeared before his eyes. â€Å"Hi, Daddy,† Sophie said. â€Å"Hi, baby,† Charlie said. Now he could see what was happening – the hellhounds were tearing at the Morrigan. One of them broke, jumped into the air and unfurled her wings, then dove at Sophie, screeching. Sophie raised her hand as if she was waving bye-bye and the Morrigan vaporized into a spray of black goo. The souls, thousands of them, that she had consumed over the millennia, floated into the air, red lights that circled the grotto, making the whole huge chamber appear to have been frozen in the middle of a fireworks display. â€Å"You shouldn't be here, honey,† Charlie said. â€Å"Yes, I should,† Sophie said. â€Å"I had to fix this, send them all back. I'm the Luminatus.† â€Å"You†¦Ã¢â‚¬  â€Å"Yeah,† she said matter-of-factly, in that Master of All Death and Darkness voice that is so irritating in a six-year-old. The hellhounds were both on the remaining Morrigan now, tearing her in half as Charlie watched. â€Å"No, honey,† Charlie said. Sophie raised her hand and Babd was vaporized like the others – the captured souls rose like embers from a bonfire. â€Å"Let's go home, Daddy,† Sophie said. â€Å"No,† Charlie said, barely able to hold up his head. â€Å"We have something we have to get.† He lurched forward and one of the hellhounds was there to brace him. The whole army of squirrel people was coming around the bow of the ship, each carrying a glowing soul vessel he'd retrieved from the ship's cabin. â€Å"Is this it?† Sophie said. She took a CD from Bob and handed it to Charlie. He turned it in his hands and hugged it to his chest. â€Å"You know what this is, honey?† â€Å"Yeah. Let's go home, Daddy.† Charlie fell over the back of Alvin. Sophie and the squirrel people steadied him until they were out of the Underworld. Minty Fresh carried Charlie to the car. A doctor had come and gone. When Charlie came to he was on his bed at home and Audrey was wiping his forehead with a damp cloth. â€Å"Hi,† he said. â€Å"Hi,† Audrey said. â€Å"Did Sophie tell you?† â€Å"Yeah.† â€Å"They grow up so fast,† Charlie said. â€Å"Yeah.† Audrey smiled. â€Å"I got this.† He reached behind his chest plate and pulled out the Sarah McLachlan CD that pulsated with red light. Audrey nodded and reached out for the disc. â€Å"Let's put that over here where you can keep an eye on it.† As soon as her fingers touched the plastic case the light went out and Audrey shuddered. â€Å"Oh my,† she said. â€Å"Audrey.† Charlie tried to sit up, but was forced back down by the pain. â€Å"Ouch. Audrey, what happened? Did they get it? Did they take her soul?† She was looking at her chest, then looked up at Charlie, tears in her eyes. â€Å"No, Charlie, it's me,† she said. â€Å"But you had touched that before, that night in the pantry. Why didn't it happen then?† â€Å"I guess I wasn't ready then.† Charlie took her hand and squeezed it, then squeezed it much harder than he intended as a wave of pain washed through him. â€Å"Goddammit,† he said. He was panting now, breathing like he might hyperventilate. â€Å"I thought it was all dark, Audrey. All the spiritual stuff was spooky. You made me see.† â€Å"I'm glad,† Audrey said. â€Å"Makes me think I should have slept with a poet so I could have understood the way the world can be distilled into words.† â€Å"Yes. I think you have the soul of a poet, Charlie.† â€Å"I should have made love with a painter, too, so I could feel the wave of a brushstroke, so I could absorb her colors and textures and really see.† â€Å"Yes,† Audrey said, brushing at his hair with her fingers. â€Å"You have such a wonderful imagination.† â€Å"I think,† said Charlie, his voice going higher as he breathed harder, â€Å"I should have bedded a scientist so I would understand the mechanics of the world, felt them right down to my spine.† â€Å"Yes, so you could feel the world,† Audrey said. â€Å"With big tits,† Charlie added, his back arching in pain. â€Å"Of course, baby,† Audrey said. â€Å"I love you, Audrey.† â€Å"I know, Charlie. I love you, too.† Then Charlie Asher, Beta Male, husband to Rachel, brother to Jane, father to Sophie (the Luminatus, who held dominion over Death), beloved of Audrey, Death Merchant and purveyor of fine vintage clothing and accessories, took his last breath, and died. Audrey looked up to see Sophie come into the room. â€Å"He's gone, Sophie.† Sophie put her hand on Charlie's forehead. â€Å"Bye, Daddy,† she said. EPILOGUE THE GIRLS Things settled in the City of Two Bridges, and all the dark gods that had been rising to erupt out over the world remembered their place and returned to their domains deep in the Underworld. Jane and Cassie were married in a civil ceremony that was dissolved and sanctioned a half-dozen times over the years. Nevertheless, they were happy and there was always laughter in their home. Sophie went home to live with her Aunties Jane and Cassandra. She would grow to be a tall and beautiful woman, and eventually take her place as the Luminatus, but until then, she went to school and played with her puppies and had a fairly wonderful time as she waited for her daddy to come get her. THE SHOPKEEPERS While Minty Fresh had believed in the adage that in every moment there is a crisis, his belief had been somewhat academic until he started seeing Lily Severo, when it became very practical indeed. Life jumped up several steps for him on the interesting scale, to the point where the Death Merchant part of his existence became the more prosaic of his pursuits. They became renowned around town, the giant in pastels always in company with the short, Gothic chef, but the City really stood up and took notice when they opened up the Jazz and Gourmet Pizza Place in North Beach in the building that had once housed Asher's Secondhand. As for Ray Macy, Inspector Rivera set him up with a lady pawnbroker from the Fillmore named Carrie Lang, and they hit it off almost immediately, having in common a love of detective movies and handguns, as well as a deep mistrust for most of humanity. Ray fell deeply in love, and true to his Beta Male nature, was doggedly loyal to her, although he always secretly suspected her of being a serial killer. RIVERA Inspector Alphonse Rivera has spent most of his life trying to change his life. He'd worked in a half-dozen different police departments, in a dozen different capacities, and although he was very good at being a cop, he always seemed to be trying to get out. After the debacle with the Death Merchants and the strange, unexplainable things that had gone on around it, he was simply exhausted. There had been a brief time when he'd been able to leave police work and open a rare-book store, and he felt as if that might have been the only time he had ever truly been happy. Now, at age forty-nine, he was ready to try it again: take an early retirement and just read and live in a calm, unevent-filled world of books. So he was somewhat pleased when, two weeks after the death of Charlie Asher, he went to his mailbox to find a substantial envelope that could only be a book. It was like an omen, he thought as he sat down at his kitchen table to open the package. It was a book – what looked like a very rare and bizarre children's book. He opened it and turned to the first chapter. So Now You're Death: Here's What You'll Need. THE EMPEROR The Emperor enjoyed a happy reunion with his troops and went on to rule benevolently over San Francisco to the end of his days. For leading Charlie into the Underworld, and for his boundless courage, the Luminatus gave Bummer the strength and durability of a hellhound. It would fall to the Emperor to explain how his now all-black companion – while he never weighed more than seven pounds soaking wet – could outrun a cheetah and chew the tires off a Toyota. AUDREY Audrey continued her work at the Buddhist center and did costuming for a local theater group, but she also took a volunteer job with hospice, where she helped people to the other side as she had done for so long in Tibet. The hospice position also, however, gave her access to bodies that had been recently vacated by their souls, and she used these opportunities to cycle the squirrel people back into the human flow of birth and rebirth. And for a while, there were remarkable instances of people recovering from terminal illness in the City, as she exercised the p'howa of undying. She didn't give up her work with the squirrel people altogether, however, as it was a skill she had come to over a long time and a lot of work, and it could still be extraordinarily rewarding. At least that's how she was feeling as she looked over her latest masterpiece in the meditation room of the Three Jewels Buddhist Center. He had the face of a crocodile – sixty-eight spiked teeth, and eyes that gleamed like black glass beads. His hands were the claws of a raptor, the wicked black nails encrusted with dried blood. His feet were webbed like those of a waterbird, with claws for digging prey from the mud. He wore a purple silk robe, trimmed in sable, and a matching hat with a wizard's star embroidered on it in gold thread. â€Å"It's only temporary, until we find someone,† Audrey said. â€Å"But take my word for it, you look great.† â€Å"No, I don't. I'm only fourteen inches tall.† â€Å"Yeah, but I gave you a ten-inch schlong.† He opened his robe and looked down. â€Å"Wow, would you look at that,† Charlie said. â€Å"Nice.†

The Hidden Truth About Essay Writing Services

The Hidden Truth About Essay Writing Services The Hidden Truth About Essay Writing Services: What Most of Them Dont Want You to Know There are dozens of academic paper writing services on the internet at any given time. Every single one of them promises college students that they will provide them with essays, research papers, and other documents that are guaranteed to help them earn the high grades they want. The majority of these services count on a few things: Students are broke and always looking for cheapest price. Desperation over writing assignments leads to making desperate decisions. Many students will not research the claims that they make. If a writing service develops a bad reputation, they can simply close up shop and open up again under a new name. That's right! These writing services see students just like yourself as lazy, cheap, and incapable of taking a logical approach when it comes to dealing with your workload. Keep reading, if you can stomach it, to learn more about the rip-off tactics these companies use. It All Starts With Rock Bottom Pricing Essays at Pennies Per Page! Dissertations for $100 dollars! Research Papers Completed in Under an Hour – Only $25 dollars! The people in charge of marketing and advertising for these services advertise these prices because they want to attract people with extremely cheap prices. What they do not count on is that smart students might be skeptical when they see these offers. For example, how does a company survive if they only charge pennies per page to write an essay? Let's break this down. In order to deliver an original essay to a customer that is guaranteed to be acceptable to a college instructor, there are several costs that must be considered. These include: Paying the Writer Paying for Overhead and Marketing Paying for quality assurance and editing Considering that each page of an essay is likely to take at least 15 minutes to write, is it realistic to assume that this is a a realistic offer? Of course it isn't. Now, the real question, how do these writing services offer these papers at such low prices, and how do they guarantee that these papers can be written so quickly? The essays and research papers are not original. Writing services that make these rock bottom pricing claims, or who offer papers within an unrealistic period of time simply resell the same papers over and over again. What to Expect From Reputable Essay Writing Services Good essay writing services will offer discounts, but their pricing will take into consideration the following things: Writers will be college graduates and be paid a fair wage All work will original and custom written No impossible claims will be made about the amount of time that it will take to complete an essay or research paper. Here is a good rule of thumb. If you are paying less than ten dollars per page for a research paper or essay, you should be suspicious. The writing service that you are using is taking shortcuts somewhere, and those shortcuts could destroy   your academic career. How to Research Writing Services First and foremost, never do business with a writing service that makes the outrageous claims mentioned above. However, in addition to this, there are other steps that you can take to insure that you are dealing with reputable company... Make sure their website is well designed and that all links work Read customer review and commentary Ask about originality guarantees Read the blogs and other posts Of course, the best method of determining whether or not a writing service is okay, is to simply contact their customer service or sales agents to see what they have to say. If the information they provide is realistic and reliable, there is a good chance that the company behind the website is also above board.